‘The Mastermind’ Review: Josh O’Connor Is an Art Thief Hijacked by His Own Heist in Kelly Reichardt’s Jazzy 1970s Throwback

Cannes: Reichardt's purest genre exercise since 2013's "Night Moves" retains her patient bent toward long, lonely takes while also delivering on a few sophisticated heisty thrills.

from IndieWire https://ift.tt/4raUune